如果把这部电影看作香港城市记忆的一次回收,它的意义会更清楚。《夜王》不试图为夜总会立碑,也没有把它洗白成温情乡愁。它只是承认:香港确实有过这样的夜晚,有过这样的空间,有过一套依赖灰度与情义运作的社会机制,而当那套机制被替换,人需要面对的不只是行业的消失,还有自我认同的漂移。曾经熟悉的城市,在某一天会变得陌生。曾经相信的规则,在某一天会突然失效。
In the 250-plus years between the invention of the water-powered spinning jenny and artificial intelligence, we have developed technology and technique with the primary aim of reducing the number of people necessary to employ for a given amount of output. On a finite planet, the amount of output must eventually stabilise. We cannot maintain for ever the notion that everyone must have a job in order to be allowed to have a life.
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2007年,堪称姚雄杰人生的分水岭。或许是受到同乡紫金矿业董事长陈景河的启发,或许是窥见了中国工业化对矿产资源的海量需求,雄震集团正式进军矿业领域,此后更名为雄震矿业,2011年再度更名为盛屯矿业。
They used AI to create actors who don't exist based on a screenplay from a writer. They asked it to generate an image of the "actors" - recording their voice and then feeding the image back to the AI tool, asking it to create a fitting voice.